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BIBLIOGRAPHY FOR THE ARTICLE TROCA-TROCA: SWAPPING, BY GOBIRA


Anderson, D. (1997). The United Kingdom Department of National Heritage. A COMMOM WEALTH: Museums and learning. London: Victoria and Albert Museum.

Andrade, O. (1928), Anthrophagite Manifesto. In: D. Ades (1989) Art in Latin America. New Haven and London: Yale University Press.

Ávilla, A. (2001), The Baroque Culture of Brazil. In Body and Soul. New York: The Solomon R. Guggenhein Museum.

Beetle. Site visited on January 2005.
http://www.gizmohighway.com/autos/vw_beetle.htm

Benjamin, W. (1983), Understanding Brecht. Thetford Press Limited.

Bhabha, H. (1999), The Other Question: The stereotype and Colonial Discourse. In: Evans, J. and Hall, S. (eds) (1999), Visual Culture: The Reader. London: Sage Publications in association with the Open University.

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Buarque, H. (1998), The Law of the Cannibal or How to deal with the idea of “difference” in Brazil at http://acd.ufrj.br/pacc/literaria/heloart.html - visited in October of 2003

CACI – (2004) Press release. São Paulo e Rio de Janeiro: Linhas e Laudas Comunicação.

Canclini, N. (1996), Modernity after Postmodernity. In: G. Mosquera (ed), Beyond the Fantastic. Mosquera. London: The Institute of Visual Arts.

DaMatta, R. (2001), The message of Brazilian Rituals: Popular Celebration and Carnival. In Body and Soul. New York: The Solomon R. Guggenhein Museum.

DaMatta, R. (1991), Carnivals, Rogues, and Heroes: An Interpretation of the Brazilian Dilemma. Notre Dame and London: University of Notre Dame Press.

Ducha, (2003), Catalogue. Rio de Janeiro: Capacete Entretenimentos.

Evans, J. and Hall, S. (eds) (1999), Visual Culture: The Reader. London: Sage Publications in association with the Open University.

Farias, A. (2001), Apollo in the Tropics: Construtivist Art in Brazil. In Body and Soul. New York: The Solomon R. Guggenhein Museum.

Fiske, J. (1989), Understanding Popular Culture. New York and London: Routledge.

Fusca, Site visited on January 2005. Origens do Fusca. www.muito.com.br

Freire, P. (1993). Pedagogy of the oppressed. London: Penguin Books.

Gullar, F. (1959), Neo-Concrete Manifesto, In: D. Ades (ed) (1989) Art in Latin America. New Haven and London: Yale University Press.

Gasworks, (2003) New Art from Brazil- Gambiarra. London: Gasworks.

Hooper-Greenhill, E. (2000). Museums and the Interpretation of Visual Culture. London and New York: Routledge.

Hall, S. (1997), Representation: Cultural Representation and Signifying Practices. London, Thousand Oaks and New Delhi: Sage and Open University.

Lacy, S. (ed) (1995), Mapping the Terrain: New Genre Public Art. Seattle: Bay Press.

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Merleau-Ponty, M. (2002), Phenomenology of Perception. New York and London: Routledge Classics

Milliet, M. A.(2001), From Concretist paradox to Experimental Exercise of Freedom. In Body and Soul. New York: The Solomon R. Guggenheim Museum.

Mosquera, G. (ed) (1995), Beyond the Fantastic: Contemporary art criticism from Latin America. London: The Instiute of Visual Arts.

Oiticica, H. Site visited on December 2004
http://userpages.umbc.edu/~pereira/theory.html

Osthoff, S. (1997) Lygia Clark and Hélio Oiticica: A Legacy of Interactivity and Participation for a Telematic Future at http://mitpress.mit.edu/Leonardo/ - Site visited on October 2004.

Pinder, K. (2002), Race-ing Art History: Critical Readings in Race and Art History. New York and London: Routledge.

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